About Kenzie

 

Upon graduation she decided to take a risk and move to Sydney, Australia, 10,000 miles away from her little hometown. She was accepted into the Advanced Actors Studio and the Advanced Actors Residency at the renowned National Institute of Dramatic Art. She also trained in the Meisner Technique at The Actors Pulse Studio.

After a year of living in Sydney, she made her way to New York City and was accepted into The Complete Theater Company. She spent two years in NYC performing improv and acting for stage and camera. While in NYC, she studied with Penny Templeton and Georgia Warner.

Hailing from the small country town of Harvard, Massachusetts, Kenzie attended Keene State College, where she studied theater, as well as movement, dance, technical theater, and improvisation. She was a member of the schools improvisational comedy troupe, Three Ways 'Til Sunday, and worked for the Technical Director of the theater department. During her years in college, she was also a member of The Apron Theater Company in Putney, Vermont, where she played Jean in August: Osage County, Angie in Top Girls, and Marlene in What Rhymes with America. 

 

Life took her to Austin where she is currently acting, modeling, and directing at a children’s theater company. She continues to study under her Australian acting coach, Jeremy Shadow, and takes improvisation classes at ColdTowne Theater.

Along side acting, modeling, directing, and coaching, Kenzie is the host of The Coffee Break Podcast; A heartfelt space crafted to empower and uplift creators in the film and entertainment industry. Through this podcast, she hopes to create a community to celebrate the unique experiences, triumphs, and challenges that shape the lives of artists in this dynamic industry.

When she’s not in front of the camera, she’s most likely listening to Johnny Cash on repeat, re-reading Tennessee Williams, or exploring Austin with her dog, Bondi. With a personality as quirky as it is comedic, Kenzie proudly marches to the beat of her own drum, leaving an indelible mark on the diverse landscape of the entertainment industry.